For Your Friends Booking Presents: Let It Enfold You 10 Year Anniversary Tour
Citizen is a punk/indie band that hails from Toledo, Ohio. With some of their members still in high school, to date they’ve released “The Only Place I Know”, a split EP with local friends The Fragile Season [Either/Or Records], which was met with great reviews. Their song “Tracking Time” was included on the compilation “Vs The Earthquake”, released after the earthquake and tsunami that hit Japan in early 2011.
The band released their debut EP, entitled “Young States” (recorded by Jay Maas at The Getaway Recording Studio), digitally on September 1st, 2011 and will be releasing the 12″ LP in January 2012 via Either/Or Records and UK-based City Of Gold Records.
Signing to Mightier Than Sword at the end of 2011, Citizen will also be entering the studio in mid-January to record two tracks for an upcoming split with Virginia Beach, VA-based Turnover, to be released Spring 2012 via Mightier Than Sword/Broken Rim Records. With infectious melodies and a passionate live show, Citizen is poised to be a name you won’t soon forget.
Tony Simon, a/k/a Blockhead, has been making and releasing utterly distinctive, funky and emotive music for 15 years. Blockhead grew up in downtown New York City. As the son of an artist, surrounded by visual culture, he early on found that his passion was for music, for the sonic. A fan of a whole range of sounds, especially hip-hop, Blockhead steadily built a tremendous collection of tapes and later CDs from innumerable artists, a quiet accumulation of knowledge and know-how. After a brief stint as a rapper, he realized his calling was behind the boards and not on the mic – and from there he began to produce beats. Since making that decision, he’s kept pretty busy: carving a niche as a quality underground beatmaker that people call when they want something special. Blockhead produced nine tracks on Aesop Rock’s critically acclaimed album “Labor Days.” Additionally he produced half the tracks on Aesop’s follow up EP, “Daylight.” He has also worked with other indie giants Atmosphere, Murs, Mike Ladd and Illogic. In between, he found time to complete a break beat album entitled “Blockhead’s Broke Beats,” with ten hard-hitting instrumental tracks, which was released on Mush Records, the US home of cLOUDDEAD.
To understand Blockhead’s presence and gravitas – look no further than the fact that he has also contributed three tracks (including the first single) for Cage’s “Hell’s Winter” on Def Jux. The other producers on the project are DJ Shadow, El-P and RJD2. All this occurred simultaneously to his debut album on Ninja Tune, “Music By Cavelight,” described as “one of the most fantastically good albums you’re going to hear this year” (Sunday Telegraph) and “a beautiful record” (Metro), with Blockhead himself tipped as “definitely one to watch” (Touch.) Blockhead returned in 2005 with “Downtime Science,” another set of deep, emotional instrumental hip hop tracks, this time dedicated to the downtown area of Manhattan where he grew up and has lived his entire life, encompassing all the attitude, anger and edginess of the neighborhood. This expansive album also features some melancholy reflections upon failed relationships and the promise of future loves. “The Music Scene,” his first full album in 5 years (discounting the tour-only release of “Uncle Tony’s Coloring Book” in 2007) has elevated his craft to another level.
Blockhead released “Interludes After Midnight” in 2012, marking his latest triumph in the world of instrumental music. His thoughtful beats and iconic samples continue to help him stand apart from the crowd when it comes to originality and emotion.
Since 2010, Blockhead has performing in a variety of electronic festival like Photosynthesis, Emerg-n-See, Art Outside, Camp Bisco, Trinumeral Festival and One Step Beyond, co-headline tours with Emancipator and Signal Path, and support date runs with both Bassnectar and Pretty Lights. No longer content with being behind the boards, Blockhead has emerged as a real touring force with his new live show that keeps audiences nodding along and wanting more!
Canadian-based producer Elaquent is certainly no rookie in the thriving beat scene. Known for his smooth, soulful style; his off-kilter, neck-break beats; and his obsession with Batman and Sega Genesis, Elaquent is finally beginning to reach his full potential. Elaquent, or “eQ” as he is also known by, has been making his mark on the independent beat scene in a big way over the last few years, with a large discography of well received instrumental albums. Since the ninth grade, eQ has been mastering his production techniques, creating a sound uncommon to the crop of other local producers. Citing J Dilla and DJ Premier as some of his earliest influences, eQ has become much of a fan favorite among beat afficionados in Toronto. After a string of successful releases, including “Believing” , “The Scenic Route” and “Green Apples and Oranges”, eQ has begun to take his show on the road, armed with his trusty SP-404sx loaded full of beats. Having toured all around the United States and many parts of Europe, eQ shows no signs of slowing down. Signed to HW&W Recordings (based out of Los Angeles), the enthusiastic producer is already planning a number of albums, live shows and collaborations. Needless to say, Elaquent is on the come-up.
Muneshine Bio 2014
Muneshine’s legacy precedes him. Although keeping hip hop close to his heart, he is venturing into the world of future beats, most recently with his smash bootleg of Portugal, The Man’s Purple, Yellow Red and Blue & Miguel’s How Many Drinks. Before this journey into contemporary sound, Muneshine sold 35,000 records in Japan alone through 2004 – 2012, received two JUNO nominations, toured extensively and collaborated with legendary musicians like Tom Waits, Ron Sexsmith, Pete Rock, DJ Spinna and Sean Price and has officially released music worldwide.
Now, his forward thinking production is reaching all corners of the internet. Premiere’s on YouTube titan Majestic Casual, inclusion in Complexion’s Future Beats radio show and official nods from PTM, Vibe Magazine, Hilly Dilly and Do Androids Dance are proving that Muneshine’s direction is on target.
Shocking, hilarious, sometimes revolting, and yet completely endearing, the Flatbush Zombies are a genuine mystery in a musical landscape where few still exist. Meechy Darko and Juice, Brooklyn bred youth with a penchant for gold grills, Charles Manson and dropping acid, make up the high energy trio alongside producer and lifelong friend Erick Arc Elliott. The Zombies rose out of complete obscurity on the back of a synth heavy, weed laced banger entitled “Thug Waffle,” an ode to marijuana and breakfast foods which immediately propelled them to the forefront of New York’s fresh crop of talent. Their seamless recipe of can’t-look-away visual appeal and deft lyricism had them opening for Slaughterhouse and Schoolboy Q within a month while peaking the interest of everyone from Lana Del Rey to VICE, and garnering them a show stealing guest spot on the first A$AP Rocky single, “Bath Salt.” Their first full length mixtape, D.R.U.G.S. (July 2012), released with over 50,000 downloads in the first week and provides the backbone for their hypnotically abrasive and off the wall live show.
The Underachievers are a hip-hop duo from Flatbush Avenue, NY consisting of Issa Dash and AK. They are currently signed to Flying Lotus’ label Brainfeeder and released their debut mixtape INDIGOISM on February 1, 2013. These guys are lookin to spark a revolution in this rap game, and just in time seeing as the Age of Enlightenment is upon us.